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Liam Guilar

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    • The Old English Background
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Dafydd ap Gwilym's 'Love's affliction'. (Cystudd Cariad)

January 5, 2022 Liam Guilar

The Grave of Dafydd ap Gwilym under the yew tree at Strata Florida

Dafydd ap Gwilym (?1320-?1350?)

 Dafydd ap Gwilym is not only one of the great poets of the Welsh Tradition, but of the  European Middle Ages.  If you haven’t heard his name before, you’ve missed out.

For a non-Welsh reader the attraction of Dafydd's poems in translation often lie in the persona he creates. He may be one of the great love poets of the Middle Ages, but his range marks him out. There’s desire to regret, with the usual amount of unrequited pining thrown in but the mix is seasoned with self-depreciation, humour, and an enjoyment of his own absurdity.

This particular poem is almost a cliché. The old poet looks back on his life and sees no future. It’s all over. ‘unless she beckons’. In which case everything he’s said should be immediately forgotten. 

It's one of those final lines that is awe inspiring in its 'correctness'. It closes the poem on a visual image that realigns everything that comes before it. It's as good as it gets.

 And as far as I can tell it's not what Dafydd wrote. 

On the University of Swansea Website, the last four lines of the translation read:

There rises in me (poetry's memory)
no joyful thought or passion,
nor any pleasant talk of them,
nor ever love, unless a girl asks for it. 

Rachel Bromwich translates the same lines as:

No joyful thought nor passionate desire
Arises in me-memory of song-
Nor is there any talk concerning them
No ever more of Love. Unless a girl should ask? 

Merchant and Feletra, whose translation I’m reading, point out the difficulty of transferring Dafydd's superb control of a fiendish poetic into English and hope 'If in our versions the poet seems uninhibited, eccentric, and outrageously ambitious, we have partly succeeded.'

Perhaps the best testimony to their success is that last line. To make the poem work as an English poem, they have made an imaginative leap from ‘ask’ to ‘beckon’ which as far as I can tell is not supported by the dictionary. It’s one of those fine moments of creative translation. 

  Unless She Beckons poems of Dafydd ap Gwilym. Translated by Merchant and Faltra. Redcoat books. 2018

Dafydd ap Gwilym. Poems Translated by Rachel Bromwich. Gomer Press 1982.

You can hear this poem read in its original Welsh at the superb University of Swansea site dedicated to Dafydd and his work.
Unfortunately it won’t let me link directly to the poem:
Click on this link…which will open a new window.

http://www.dafyddapgwilym.net/eng/3win.php

Choose poem 82 from the drop down menu in the left hand corner, then click the ‘audio’ link at the bottom of the page.

 

 

Tags Medieval, Medieval Welsh, lyric, Poetry in Translation
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The Fabled Third, the sequel to A Man of Heart and the final part of A Presentment of Englishry, is now available direct from the publisher Shearsman Uk and usual online sources. Signed copies of all three books are available from the shop on this site.

Review of A Presentment of Englishry here: http://longpoemmagazine.org.uk/reviews/a-presentment-of-englishry/

Reviews of A Man of Heart here: Heart of the Island nation and here https://dura-dundee.org.uk/2024/04/01/a-man-of-heart/