Sir Thomas Wyatt's 'Whoso List to Hunt'

Sir Thomas Wyatt (1503-1542)

When does English Poetry begin?

You could argue Caedmon’s Hymn, the earliest datable poem in Old English. But listen to it on the Poetry Voice: Caedmon’s Hymn isn’t written in English.

You could argue for Chaucer, who is readable with patience by any literate modern English speaker.

Or you could go straight to Wyatt. Who is perhaps the first English poet to sound like a modern poet.

He has been the subject of two superb but very different, and therefore complimentary, biographies recently. And there is or was a fine Penguin collected, which may not do him a great service since wading through the lot will remind you of how utterly conventional so much of the poetry produced at the court was.

The fifteenth century is a dead one for English poetry. So you could argue that poetry that is recognisable to a modern reader, both in form and language, begins after Wyatt and Surrey found their models or excellence in Italy. Wyatt Englished Petrarch. You can see the process by comparing this poem with Petrach’s Sonnet 190 which Wyatt is ‘versioning’, it’s part translation, part adaptation, all new poem. You can compare translations: http://www.siue.edu/~ejoy/eng208PetrarchSonnet190.htm

But when you’ve got over the sense of an individual voice speaking directly to you and the striking images, you might want to consider the implications of the metaphor of the hunt as romantic pursuit. Think about what the hunters and their dogs do when they have finally trapped their prey. Welcome to the Renaissance.

George Gascoigne's 'Gascoigne's Lullabie'

George Gascoigne (1535-1578)

I know very little about George Gascoigne, and looking him up on line hasn’t added much to that. But I do like this poem for its combination of weary resignation and sly humour.

And poems like this are the reason why good anthologies are so valuable. I found this one in Seven Centuries of Poetry in English, edited by John Leonard. A lot can be said against anthologies, but a good one, like Seven Centuries, is a great place to start if you’re curious about poetry written in other times or want to read something by famous poet x without wading through x’s complete poems. And in a good anthology, nestled beside famous poet x’s well known poem, will be a poem by someone you’ve never heard of, which you wouldn’t have otherwise found.

Sonnet 1 from Sir Philip Sidney's 'Aristophil and Stella'

Sir Philip Sidney (1554-1586) was so many things to his contemporaries. To history he is one of the first major poets of the Tudor ‘Renaissance’. Aristophil and Stella is one of the first sonnet sequences in English, and may well be the best of them.

Despite Sidney’s claims in his Defence that poetry was moral and lead to virtue, Aristophil and Stella is the story of an (?unrequited?) adulterous passion. After Sidney’s early death, Penelope Rich was happy to admit that she was ‘Stella’.

This is the first sonnet of the sequence, with its famous final line.